Stranger on the bus makes a call:
All right, my darling?
Yeah? And how are you today?
Oh, don't worry about that. You've got a few weeks' worth of washing to get through - only so much you can do in one go.
I know, but you know if you want I can come up and I can sit 2 metres apart form you.
If you're sure.
Have you got everything?
How's the drink situation?
Yeah, it's all right, don't worry.
If you're sure.
All right, I love you.
Be safe. I love you, darling.
Bye.
The stranger hangs up and makes a second call:
All right?
Yeah.
Come on, then: Why'd you call me half past midnight? Who's died?
What.
You're joking me.
You're joking me!
Oh my god. You know, you know I ain't one who wants to speak bad of no one, but I've got one word for you: karma. Fucking karma.
Yeah, karma.
It's finally done some good.
[Reaches into a bag and takes out a can of lager.]
All this bad and it's finally done some good, getting someone who deserved it.
[Opens can and takes a swig.]
Too fucking right, after all he's done.
After all he's done to women. I don't want to speak bad of no one but he deserved it. It's karma to him after all he did to those poor women. What he did to us. Too right his son becomes a woman and then this gets him. Too right. Don't want to speak ill of those taken by the black but let's celebrate.
Yeah, I'm serious, let's celebrate.
I'll get some prosecco. I'm on my way to Asda right now - I'll get some prosecco and we'll celebrate. And you can come down to me. We can sit in my garden and have a drink to karma. What do you want - can I get you anything?
Fuck 'em - it's my garden. You don't have to sit on me.
You what? Camping chairs? What do you want camping chairs for?
My love, you are too tall for camping chairs - and that's Aldi anyway.
No, you deserve a real chair. I'll bring out a real chair from my house so we can celebrate.
Yeah, bottle of fizz for you and me and we'll drink to him and his karma.
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Published by alyssiaonline
Alyssia MacAlister is a writer, editor, artist and mother, who lives with her partner in Brighton. On both page and stage, Alyssia is concerned with exploring narratives with a poetic frame, finding the beautiful in the strange. In writing she can find unspoken traumas and the meanings behind silences. Wide-ranging past interests include virtual reality and the female body, spiders and grief. Alyssia’s specialty is prose poetry, but she often works in found poetry and experiments with more traditional verse. In addition, Alyssia writes lucid fiction and essays, while also creating artwork mostly in pencil. She also has a scalpel eye for editing any kind of poetry or prose and can produce poetry workshops.
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